Arndt 1965-66, p. 10, nr. 3e
Lugt 1968, p. 84, nr. 334
Arndt 1972, p. 78 ff., 80, 97 ff., 99 ff, nr. K 2e, pl. 12
Winner 1972, p. 140 ff. (as by Jan Brueghel I)
Washington 1974, nr. 40, note 5
Berlin 1975, nr. 42, pl. 73, p. 45 ff. nr. 43-47, 50
Brown 1975b, p. 831
Florence/Paris 1980-81, nr. 44, pl. 45
Oberhuber 1981, p. 154, note 4
London 1986, nr. 35, note 8
Mielke 1986, p. 81 ff.
Robinson in Washington/New York 1986-87, p. 98, nr. 27
Hanschke 1988, p. 50 ff., 180, note 28, pl. 8
Boon 1992, vol. 1, p. 77-8, nr. 46, pl. 78 (vol. 3)
Rotterdam/New York 2001, p. 264, fig. 113
[RUBY IN MUNICH 2013], p. 43-4, fig. 35
There are five versions of this composition attributed with varying degrees of closeness to Jan/circle of Jan. Sellink feels that the present version is the best one. He says that Boon also accepted its attribution to Jan even though he catalogs it as "school of Pieter Bruegel."