Regteren Altena 1932, fig. 28
Rotterdam 1934, nr. 5
Brussels 1935, nr. 492
Dijon 1950, nr. 45
Rotterdam 1952, nr. 22
Winner 1961, p. 199-201, fig. 8 (as "Meister of 159")
Arndt 1965-66, p. 10, nr. 4b
Arndt 1972, p. 110-1, nr. K6b (as copy after Pieter Bruegel)
Winner 1972, p. 140-1 (as Jan Brueghel I)
Berlin 1975, p. 48-9, nr. 50, pl. 72 (as after Pieter Bruegel, probably by Jan Brueghel the Elder)
Gerszi 1976, p. 220
Oberhuber 1981, p. 153
Mielke 1986, p. 84
Boon 1992, p. 77, nr. 46, p. 78-80, nr. 47
Mielke 1996, p. 17, 43, nr. 22, fig. B7
Essen/Vienna 1997-98, p. 34, 434-5, 436, nr. 150, ill.
Ruby 1999, p. 45
Rotterdam/New York 2001, p. 71, fig. 67
Rotterdam 2004
Silver 2006a, p. 164, fig. 8.7
Rotterdam 2009
Ruby in Munich 2013, p. 37-8, fig. 25
According to Louisa Wood Ruby, this drawing was inspired by an etching by Hieronymus Cock after a drawing by Pieter I now in Prague. Jan may have owned either/both the drawing & print. The present drawing is inscribed: “In Milano 13 Gennaro 159[3 or 5]”. On the verso, an inscription in a later hand reads: “Brueglo 1593 en Janvier,”. No other document indicates that Jan was in Milan in early 1593. Bedoni & Ruby suggest that Jan could have made such a trip with Borromeo that year.