Bibliography

Found 218 results
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No Date
Siret, A. Breughel (Jean). Biogr. nat, Biogr. nat., III, no. Journal Article (No Date): 29.
2015
Sellink, Manfred, Sandrine Vézilier-Dussart, and Cécile Laffon. Les Vaisseaux de mer de Pieter Bruegel l'Ancien. Un aspect moins connu de son oeuvre. In La Flandre et la mer. De Pieter l'Ancien a Jan Brueghel de Velours, Exhibiton Catalogue Cassel: Musée départemental de Flandre., 54-59. La Flandre et la mer. De Pieter l'Ancien a Jan Brueghel de Velours. Ghent: Snoeck, 2015.
Larry Silver. Morbid Fascination: Death by Bruegel. In Anthropomorphic Lens. Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts, 421-54. Anthropomorphic Lens. Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts. Leiden, 2015.
Sullivan, Margaret A. Peasant and Nestrobber: Bruegel as Witness of His Times. Journal of Historians of Netherlandish Art, Journal of Historians of Netherlandish Art, 7, no. 2 (2015). https://doi.org/DOI: 10.5092/jhna.2015.7.2.3.
2014
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700, 790 - 831. Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. 2014. Reprint, Leiden/Boston: Brill, 2014. http://dx.doi.org/10.1163/9789004262010_027.
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 791-831. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Bril, 2014.
Marrigje Rikken. Exotic Animal Painting by Jan Brueghel the Elder and Roelant Savery. In Zoology in Early Modern Culture, Intersections of Science, Theology, Philology, and Political and Religious Education, 401-33. Zoology in Early Modern Culture. Leiden, 2014.
Sellink, Manfred. Pieter Bruegel the Elder in the Limelight Again. The Low Countries. Arts and Society in Flanders and The Netherlands, The Low Countries. Arts and Society in Flanders and The Netherlands, 21 (2014): 313-15.
Larry Silver. Pieter Bruegel's Symbolic Highlands in the Lowlands. In Midwestern Arcadia: Essays in Honor of Alison McNeil Kettering, 4-15. Midwestern Arcadia: Essays in Honor of Alison McNeil Kettering, 2014. https://apps.carleton.edu/kettering/silver/.
2013
Schröder, Klaus Albrecht, Christoph Metzger, and Marian Bisanz-Prakken. Bosch Brueghel Rubens Rembrandt: Masterpieces of the Albertina. Exhibition Catalogue Vienna: Graphische Sammlung Albertina. 2013. Reprint, Ostfildern: Hatje Cantz, 2013.
Strasser, Nathalie. Dessins des écoles du Nord du XVe au XVIIIe siècle : collection Jean Bonna. Collection Catalogue Geneva: Jean Bonna. Milan: Silvana, 2013.
Schmidt, Jan. Teamarbeit in Vollendung. Zum Werkprozess der Madonna im Blumenkranz von Peter Paul Rubens und Jan Brueghel d. Ä. In Brueghel. Gemälde von Jan Brueghel d. Ä., Exhibition catalogue Munich: Alte Pinakothek, 109 - 123. Brueghel. Gemälde von Jan Brueghel d. Ä. 2013. Reprint, Munich: Hirmer Verlag, 2013.
Ducos, Blaise, and Olivia Savatier. Un Allemand à la cour de Louis XIV : De Dürer à Van Dyck, la collection nordique d'Everhard Jabach. Exhibition Catalogue Paris: Musée du Louvre. 2013. Reprint, Paris: Le Passage, 2013.
Teréz Gerszi. Were the Rotterdam Copies Really Drawn After Jan Brueghel?. In Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur, 141-46. Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur. The Hague, 2013.
Teréz Gerszi. Were the Rotterdam Copies Really Drawn After Jan Brueghel?. In Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur, 141-46. Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur. The Hague, 2013.
2012
Onafuwa, Yemi. Exuberant Gluttony: Bruegel’s Overeaters. In Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision, 99 - 114. Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision. 2012. Reprint, Ashgate, 2012.
Levine, David A. Parody, Proverb, and Paradox in Two Late Works by Pieter Bruegel the Elder. In Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision, 85 - 98. Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision. 2012. Reprint, Ashgate, 2012.
Sellink, Manfred, and Maximiliaan PJ Martens. Pieter Bruegel ongezien: de verborgen Antwerpse collecties. Collection catalogue Antwerp: Museum Mayer van den Bergh. 2012. Reprint, Leuven: Davidsfonds, 2012.
Hermens, Erma, and Statens museum for kunst (Denmark), Centre for Art Technological Studies and Conservation. On the Trail of Bosch and Bruegel: Four Paintings United Under Cross-Examination. 2012. Reprint, London; Copenhagen: Archetype Publications; In Association with Statens Museum for Kunst: CATS, 2012.
Levesque, Catherine. Truth in Painting – Comedic Resolution in Bruegel’s Landscape with the Magpie on the Gallows. In Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision, 63 - 83. Parody and Festivity in Early Modern Art. Essays on Comedy as Social Vision. 2012. Reprint, Ashgate, 2012.
2011
Stefes, Annemarie. Bruegel, Rembrandt & Co: Niederländische Zeichnungen 1450-1850. Collection Catalogue Hamburg: Hamburger Kunsthalle. 2011. Reprint, Cologne: Böhlau, 2011.
Stefes, Annemarie. Bruegel, Rembrandt & Co: Niederländische Zeichnungen 1450-1850. Collection Catalogue Hamburg: Hamburger Kunsthalle. 2011. Reprint, Cologne: Böhlau, 2011.
Sullivan, Margaret A. Bruegel the Elder, Pieter Aertsen, and the Beginning of Genre. The Art Bulletin, The Art Bulletin, 93, no. 2 (2011): 127 - 149.

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