Bibliography

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A
Sutton, Peter C, and Marjorie E Wieseman. The Age of Rubens. Exhibition Catalogue Boston: Museum of Fine Arts & Toledo (Ohio): Toledo Museum of Art. 1993. Reprint, New York: Harry N. Abrams, 1993.
Dundes, Alan, and Claudia A Stibbe. The Art of Mixing Metaphors: A Folkloristic Interpretation of the Netherlandish Proverbs by Pieter Bruegel the Elder. Folklore Fellows Communication. Folklore Fellows Communication. 1981. Reprint, Helsinki: Suomalainen Tiedeakatemia, 1981.
B
Swarzenski, Hanns. The Battle between Carnival and Lent. Bulletin of the Museum of Fine Arts, Boston, Bulletin of the Museum of Fine Arts, Boston, 49, no. 2 (1951): 2 - 11.
Silver, Larry. Book Review: Pieter Bruegel and the Art of Laughter by Walter Gibson. The Art Book, The Art Book, 14, no. 1 (2007): 47 - 48.
Serebrennikov, Nina Eugenia. Book Review: Pieter Bruegel: Die Zeichnungen. The Art Bulletin, The Art Bulletin, 80, no. 1 (1998): 176 - 180.
Sullivan, Margaret A. Bosch, Bruegel, Everyman and the Northern Renaissance. Oud Holland, Oud Holland, 121, no. 2-3 (2008): 117 - 146.
Schröder, Klaus Albrecht, Christoph Metzger, and Marian Bisanz-Prakken. Bosch Brueghel Rubens Rembrandt: Masterpieces of the Albertina. Exhibition Catalogue Vienna: Graphische Sammlung Albertina. 2013. Reprint, Ostfildern: Hatje Cantz, 2013.
Siret, A. Breughel (Jean). Biogr. nat, Biogr. nat., III, no. Journal Article (No Date): 29.
Sullivan, Margaret A. Bruegel and the Creative Process, 1559-1563. 2010. Reprint, Farnham; Burlington: Ashgate, 2010.
Ramakers, B.A.M. Bruegel en de rederijkers. Schilderkunst en literatuur in de zestiende eeuw. In Pieter Bruegel, 80 - 105. Pieter Bruegel. Brill Academic Pub, 1996.
Stubbe, Achilles. Bruegel en de Renaissance: het probleem van het maniërisme. 1950. Reprint, Antwerpen: Standaard-Boekhandel, 1950.
Schlumberger, Eveline, and Denis Picard. Bruegel: histoires de fous pour rester sage. Connaissance des Arts, Connaissance des Arts, 282 (1975): 68 - 72.
Stefes, Annemarie. Bruegel, Rembrandt & Co: Niederländische Zeichnungen 1450-1850. Collection Catalogue Hamburg: Hamburger Kunsthalle. 2011. Reprint, Cologne: Böhlau, 2011.
Stefes, Annemarie. Bruegel, Rembrandt & Co: Niederländische Zeichnungen 1450-1850. Collection Catalogue Hamburg: Hamburger Kunsthalle. 2011. Reprint, Cologne: Böhlau, 2011.
Sullivan, Margaret A. Bruegel the Elder, Pieter Aertsen, and the Beginning of Genre. The Art Bulletin, The Art Bulletin, 93, no. 2 (2011): 127 - 149.
Shawe-Taylor, Desmond, and Jennifer Scott. Bruegel to Rubens: Masterpieces of Flemish Painting. Exhibition Catalogue Edinburgh: National Gallery of Scotland & London: Queen's Gallery. 2007. Reprint, London: Royal Collection, 2007.
Shawe-Taylor, Desmond, and Jennifer Scott. Bruegel to Rubens: Masterpieces of Flemish Painting. Exhibition Catalogue Edinburgh: National Gallery of Scotland & London: Queen's Gallery. 2007. Reprint, London: Royal Collection, 2007.
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700, 790 - 831. Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. 2014. Reprint, Leiden/Boston: Brill, 2014. http://dx.doi.org/10.1163/9789004262010_027.
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 791-831. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Bril, 2014.
Stridbeck, Carl Gustaf. Bruegels Fidesdarstellung. Konsthistorisk Tidskrift, Konsthistorisk Tidskrift, 23, no. 1-4 (1954): 1 - 11.
Sedlmayr, Hans. Bruegel's Macchia. In The Vienna School Reader : Politics and Art Historical Method in the 1930s. The Vienna School Reader : Politics and Art Historical Method in the 1930s. 1934. Reprint, New York: Zone Books, 1934.

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