Bibliography

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Spezzaferro, Luigi. La cultura del Cardinal Del Monte e il primo tempo di Caravaggio. Storia dell'arte, Storia dell'arte, 9-10 (1971): 57 - 92.
Springell, F.C. Wenceslaus Hollar and His Drawings. 1938. Reprint, Vienna: Passer, 1938.
Squarzina, Sylvia Danesi. The Collections of Benedetto Giustiniani: Part II. The Burlington Magazine, The Burlington Magazine, 140, no. 1139 (1998): 102 - 117.
Squarzina, Sylvia Danesi. The Collections of Cardinal Benedetto Giustiniani, Part I. Burlington Magazine, Burlington Magazine, 139, no. 1136 (1997): 766 - 91.
Squarzina, Silvia Danesi. Le Collezione Giustiniani: Inventari. 2003. Reprint, Milan: Einaudi, 2003.
Squarzina, Silvia Danesi. Natura morta e collezionismo a Roma nelle prima meta del seicento. In Natural morta, pittura di paesaggio e il collezionismo a Roma nella prima meta del seicento. Natural morta, pittura di paesaggio e il collezionismo a Roma nella prima meta del seicento. 1995. Reprint, Rome: Lithos, 1996.
Stallybrass, Peter, and Allon White. The Politics and Poetics of Transgression. 1986. Reprint, Ithaca: Cornell University Press, 1986.
Stampfle, Felice. Rubens and Rembrandt in Their Century: Flemish & Dutch Drawings of the 17th Century from The Pierpont Morgan Library. Exhibition Catalogue Paris: Institut Néerlandais & Antwerp: Koninklijk Museum voor Schone Kunsten Antwerpen & London: British Museum & New York City: Pierpont Morgan Library . 1979. Reprint, New York: Pierpont Morgan Library, 1979.
Stampfle, Felice. Landscape Drawings and Watercolors: Bruegel to Cézanne. Exhibition Catalogue New York: Pierpont Morgan Library. 1953. Reprint, New York: Pierpont Morgan Library, 1953.
Stechow, Wolfgang. Pieter Bruegel the Elder. 1954. Reprint, New York, 1954.
Stefes, Annemarie. Bruegel, Rembrandt & Co: Niederländische Zeichnungen 1450-1850. Collection Catalogue Hamburg: Hamburger Kunsthalle. 2011. Reprint, Cologne: Böhlau, 2011.
Stein, Adolphe. Master drawings. December 22 1975. Reprint, London, 1975.
Stein-Schneider, H. Pieter Bruegel. Peintre hérétique illustrateur du message familiste. Gazette Des Beaux-Arts, Gazette Des Beaux-Arts, 107 (1986): 71 - 74.
Steiner, Reinhard. Experiment und Epiphanie : Anmerkungen zum tachistokopischen Experiment in Hans Sedlmayrs Aufsatz Pietr Bruegel : der Sturz der Blinden. In 200 Jahre Kunstgeschichte in München : Positionen, Perspektiven, Polemik, 1780-1980, 199 - 208. 200 Jahre Kunstgeschichte in München : Positionen, Perspektiven, Polemik, 1780-1980. 2003. Reprint, Munich: Deutsche Kunstverlag, 2003.
Stoichita, Victor I. Peindre le feu? La ville en flammes dans la peinture des XVIe et XVIIe siecles. Zeitschrift für Schweizerische Archäologie et Kunstgeschichte, Zeitschrift für Schweizerische Archäologie et Kunstgeschichte, 52, no. Journal Article (1995): 35 - 37.
Stoichita, Victor I. The Self-Aware Image. 1997. Reprint, Cambridge: Cambridge University Press, 1997.
Stoichita, Victor I. "Cabinets d'amateur" et scénario iconoclaste. Actes du XXVIIe Congrès International d' Histoire de l' Art, Actes du XXVIIe Congrès International d' Histoire de l' Art, 4 (1992): 171 - 192.

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