There are many many copies and variants of this composition. Some are listed by Ertz as being by Jan the Younger.

• Closest copy Budapest; on which see page.
• Copy Utrecht, Centraal Museum, 1952 catalogue #1366 (panel, 66 x 87) -- photo RKD in earlier state, considerable paint loss
• Copy Madrid, Prado, #1407 (copper, 56 x 88) -- Ertz, Jan II, #97
• Copy Dessau, 1929 catalogue #266 (panel, 43 x 63) -- Ertz, Jan II, #99
• Copy Milaan, Castello Sforzesco, cat. #458 (55 x 89) -- Ertz, Jan II, #94
• Partial copy Antwerp, KMSK, 1948 cat. #5019 (panel, 28 x 36)
• Copy Baltimore, Walters Art Gallery, inv. #37.1998 (panel, 65 x 94)
• Copy Pau, Museum, #1401 (panel, no size given)
• Studio variant Orleans, Musee des Beaux-Arts, #1348 (panel, 55 x 110)
• Copy Rennes, Musee des beaux-arts
• Copy Earl of Verulam (panel, 55 x 87)
• Copy attributed to Jan van Kessel w/ Johnny van Haeften in 1994 (panel, 55.5 x 88.9)
• Poor copy in private collection, France (copper, 69.5 x 87.2)
• Two very poor copies sold Versailles, Palais des Congres, February 29, 1976: #103 was panel, 44 x 56, and #104 was canvas, 54 x 74.
• Another poor copy, location unknown: panel, 51 x 65.
• Copy in Ireland (photo from National Gallery of Ireland), panel, 54 x 77. [wiki page]
• Copy sold Christie's Monaco December 7, 1991; panel, 60 x 90, as attributed by Ertz to Jan the Younger. [wiki page]
• Copy private collection, Vienna, 1992 as Jan the Younger; panel, 55.5 x 88.9 (wiki page)
• Variant without ark (!) sold London (Christies) December 9, 1988 #136 (copper, 49.8 x 79.4)
• Another variant without ark sold Brussels (Giroux) March 6-7, 1959 (panel, 65 x 91.5)