A very Momper-ish landscape (as noted also by Diaz Padron) and yet the figures are more deeply, fully embedded in the place than they are when added into a Momper as staffage. They are done in a softer, more painterly manner than those in his collaborations. It's as if here Jan is feeling out what a landscape would be like if they didn't collaborate, but he did it all on his own. Background has less fussy details than in a Momper, more a vague sense that "here there is detail" but there isn't. Which is actually what Momper does but Jan here does it more. A great contrast to the collaborative works here in Madrid.