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Zwollo, An. “Jan Brueghel a Tervuren”. In L'arte nella storia, Contribute di critica e storia dell'arte per Giovanni Carlo Sciolla, 449 - 454. L'arte nella storia, Contribute di critica e storia dell'arte per Giovanni Carlo Sciolla. 2000. Reprint, Milan: Skira, 2000.
Zwollo, An. “Pieter Stevens: nieuwe werk, contact met Jan Brueghel, invloed op Kerstiaen de Deuninck”. Leids Kunsthistorisch Jaarboek, Leids Kunsthistorisch Jaarboek, 1982, 95 - 118.
Zupnick, Irving. “Eloquent Images: Bruegel's Response to Religious Persecution”. In Album Amicorum Kenneth C. Lindsay: Essays on Art & Literature, 91 - 116. Album Amicorum Kenneth C. Lindsay: Essays on Art & Literature. 1990. Reprint, Binghamton, 1990.
Zupnick, Irving L. Bruegel. 1970. Reprint, New York: McGraw-Hill, 1970.
Zupnick, Irving L. “The Influence of Erasmus' Enchiridion on Bruegel's Seven Virtues”. De Gulden Passer, De Gulden Passer, 47 (1969): 225 - 235.
Zupnick, Irving L. “The Meaning of Bruegel's "Nobody" and "Everyman"”. Gazette des Beaux-Arts, Gazette des Beaux-Arts, 67 (1966): 257 - 270.
Zupnick, Irving. “Pieter Bruegel and the Revolt of the Netherlands”. Art Journal, Art Journal, 23, no. 4 (1964): 283 - 289.
Zupnick, Irving. “Bruegel's Virtues as the Epitome of Folly”. In L'Umanesimo e la Follia, 89 - 106. L'Umanesimo e la Follia. 1971. Reprint, Rome: Abete, 1971.
Zupnick, Irving. “Appearance & Reality in Bruegel's Virtues”. In Evolution générale et développements régionaux en histoire de l'art. Actes du XXIIe Congrès International d'Histoire de l'Art (Budapest, 1969), 1:745 - 753. Evolution générale et développements régionaux en histoire de l'art. Actes du XXIIe Congrès International d'Histoire de l'Art (Budapest, 1969. 1972. Reprint, Budapest, 1972.
Zeri, Federico. La Galleria Spada in Roma: catalogo dei dipinti. 1954. Reprint, Florence: Sansoni, 1954.
Zehnder, Frank Günter. Stefan Lochner, Meister zu Köln: Herkunft, Werke, Wirkung. Exhibition Catalogue Cologne: Wallraf-Richartz-Museum. 1993. Reprint, Cologne: Verlag Locher, 1993.
Zagorin, Perez. “Looking for Pieter Bruegel”. Journal of the History of Ideas, Journal of the History of Ideas, 64, no. 1 (2003): 73 - 96.
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Yakush, Mary. Leonardo to Van Gogh: Master Drawings from Budapest. Exhibition Catalogue Washington DC: National Gallery of Art & Chicago: Art Institute of Chicago & Los Angeles: Los Angeles County Museum of Art. 1985. Reprint, Chicago: Art Institute of Chicago, 1985.
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Wyss, Beat. “Der Dolch am linken Bildrand. Zur Interpretation von Pieter Bruegels 'Landschaft mit dem Sturz des Ikarus'”. Zeitkuns Zeitschrift für Kunstgeschichte, Zeitkuns Zeitschrift für Kunstgeschichte, 51, no. 2 (1988): 222 - 242.
Wyss, Beat. Pieter Bruegel: Landschaft mit Ikarussturz : ein Vexierbild des humanistischen Pessimismus. 1990. Reprint, Frankfurt am Main: Fischer Taschenbuch Verlag, 1990.
Würtenberger, Franzsepp. “Zu Bruegels Kunstform, besonders ihr Verhältnis zur Renaissancekomposition”. Zeitschrift für Kunstgeschichte, Zeitschrift für Kunstgeschichte, 9, no. 1 (1940): 30 - 48.
Würtenberger, Franzsepp. Pieter Bruegel d. A und die deutsche Kunst. 1957. Reprint, Wiesbaden: F. Steiner, 1957.
Wubben, J.C. Ebbinge. Musée Boymans Rotterdam: choix de dessins. Exhibition catalogue Rotterdam: Museum Boymans. 1952. Reprint, Rotterdam: Museum Boymans-van Beuningen, 1952.
Wragg, Thomas S. Old Master Drawings from Chatsworth. Exhibition Catalogue Manchester (Eng): City of Manchester Art Gallery. 1961. Reprint, Manchester: City of Manchester Art Gallery, 1961.
Wood, Christopher S. Bosch's Demonology. Exhibition catalogue. 2001. Reprint, New Haven: Yale University Art Gallery, 2001.
Witt, Robert Clermont. Exhibition of Flemish and Belgian Art, 1300-1900, Organized by the Anglo-Belgian Union. Exhibition Catalogue London: Royal Academy of Arts. 1927. Reprint, London: Royal Academy of Arts, 1927.

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