Bibliography
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. Old Master Drawings. Exhibition catalogue New York: C.G. Boerner. 2002. Reprint, New York: C.G. Boerner, 2002.
. La macchina della pittura: pratiche teoriche della rappresentazione figurativa fra Rinascimento e Barocco. 1985. Reprint, Roma: Laterza, 1985.
. “The Picture of Nobody: An Iconographical Study”. Journal of the Warburg and Courtauld Institutes, Journal of the Warburg and Courtauld Institutes, 23, no. 1/2 (1960): 60 - 104.
. The Early Flemish Pictures in the Collection of Her Majesty the Queen. Collection Catalogue London: Royal Collections. 1985. Reprint, Cambridge: Cambridge University Press, 1985.
. The Fear of Hell: Images of Damnation and Salvation in Early Modern Europe. 1991. Reprint, University Park, PA: Pennsylvania State University Press, 1991.
. Bread of Dreams: Food and Fantasy in Early Modern Europe. 1989. Reprint, Chicago: University of Chicago Press, 1989.
. “Pieter Bruegel or Giulio Clovio”. The Burlington Magazine, The Burlington Magazine, 123, no. 934 (1981): 35 - 40.
. “The Imagery of Passion and of Carnality in the Battle between Carnival and Lent by Pieter Bruegel the Elder”. Studies in Iconography, Studies in Iconography, 13 (1989): 191 - 221.
. Paul Bril e la pittura di paesaggio a Roma 1580-1630. 2006. Reprint, Rome: Ugo Bozzi, 2006.
. “The Enticement of the North: Landscape, Myth, and Gleaming Metal Supports”. In The Genius of Rome, 1592-1623, 174 - 205. The Genius of Rome, 1592-1623. 2001. Reprint, London: Royal Academy, 2001.
. “Primi studi per il collezionismo di paesaggi a Roma all'inizio del Seicento”. In La "Konstkamer" italiana. I "Fiamminghi" nelle collezioni italiane all'età di Rubens. Atti delle Giornate di studio, Roma, Academia Belgica, 9-10 dicembre 2004. La "Konstkamer" italiana. I "Fiamminghi" nelle collezioni italiane all'età di Rubens. Atti delle Giornate di studio, Roma, Academia Belgica, 9-10 dicembre 2004. 2008. Reprint, Brussels: Institut historique belge de Rome, 2008.
. “"Paesi, fiori e frutta, ritratti. I pittori nordici e la storia della collezione Doria Pamphilj"”. In Dipinti Fiamminghi e Olandesi, 21 - 31. Dipinti Fiamminghi e Olandesi. 1996. Reprint, Genoa: Tormena Editore, 1996.
. “Peasant Festivity and Political Identity in the Sixteenth Century”. Art History, Art History, 10, no. 3 (1987): 289 - 314.
. Painting and Politics in Northern Europe: Van Eyck, Bruegel, Rubens, and Their Contemporaries. 2008. Reprint, University Park: Pennsylvania State University Press, 2008.
. “Book Review: Snow, Inside Bruegel: The Play of Images in Children's Games & Kavaler, Pieter Bruegel: Parables of Order and Enterprise”. The Art Bulletin, The Art Bulletin, 84, no. 1 (2002): 177 - 179.
. “The Battle of Shrovetide: Carnival Against Lent as a Leitmotif in Late Medieval Culture”. Viator, Viator, 35 (2004): 517 - 542.
. The Calumny of Apelles: A Study in the Humanist Tradition. Yale Publications in the History of Art. Yale Publications in the History of Art. 1981. Reprint, New Haven: Yale University Press, 1981.
. Il Demoniaco nell'arte. 1952. Reprint, Milano: Electra, 1952.
. Le démoniaque dans l'art: sa signification philosophique. 1958. Reprint, Paris: Librairie philosophique J. Vrin, 1958.
. “Il Simbolismo del tempo.”. Archivio di Filosofia, Archivio di Filosofia, 1973, 11 - 24.
. Visions du futur. Une histoire des peurs et des espoirs de l'humanite. 2000. Reprint, Paris: Grand Palais, 2000.
. Dutch and Flemish Paintings. Collection catalogue Stockholm: Nationalmuseum. 1986. Reprint, Stockholm: Nationalmuseum, 1986.
. “A Double Reading by Design: Breughel, Auden, and Williams”. The Journal of Aesthetics and Art Criticism, The Journal of Aesthetics and Art Criticism, 41, no. 3 (1983): 323 - 330.
. “Art Fiction”. Art History, Art History, 32, no. 01 (2009): 785 - 805.
. “Tracy Chevalier on The Family of Jan Brueghel the Elder by Peter Paul Rubens”. The Guardian, The Guardian, http://www.guardian.co.uk/artanddesign/2011/sep/30/picture-this-tracy-chevalier-rubens, no. Friday 30 September (2011).
