Bibliography

Found 1633 results
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Fierens, Paul. Bruegel, The Elder. 1946. Reprint, London; Paris: Falcon Press; Les Éditions du Chêne, 1946.
Glück, Gustav. Bruegel the Elder and Classical Antiquity. The Art Quarterly, The Art Quarterly, 1943, 167 - 187.
Sullivan, Margaret A. Bruegel the Elder, Pieter Aertsen, and the Beginning of Genre. The Art Bulletin, The Art Bulletin, 93, no. 2 (2011): 127 - 149.
Robinson, William W, and Martin Royalton-Kisch. Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection. Exhibition catalogue London: British Museum & Paris: Institut Néerlandais & Cambridge: Fogg Art Museum. 2002. Reprint, New Haven: Yale University Press, 2002.
Shawe-Taylor, Desmond, and Jennifer Scott. Bruegel to Rubens: Masterpieces of Flemish Painting. Exhibition Catalogue Edinburgh: National Gallery of Scotland & London: Queen's Gallery. 2007. Reprint, London: Royal Collection, 2007.
Glück, Gustav. Bruegel und der Ursprung seiner Kunst. In Aus drei: Jahrhunderten Europäischer Malerei, 151 - 169. Aus drei: Jahrhunderten Europäischer Malerei. 1933. Reprint, Vienna: Schroll, 1933.
Bruegel. Une dynastie de peintres. Exhibition catalogue. 1980. Reprint, Brussels: Palais des Beaux-Arts, 1980.
Van de Perre, Harold. Bruegel: ziener voor alle tijden. 2007. Reprint, Leuven: Davidsfonds, 2007.
Foucart, Jacques. "Bruegeliana" a propos d l'exposition de Bruxelles (1980). Revue de l'art, Revue de l'art, 51 (1981): 61 - 68.
Pinson, Yona. Bruegel's 1564 'Adoration': Hidden Meanings of Evil in the Figure of the Old King. Artibus et Historiae, Artibus et Historiae, 30 (1994): 109 - 127.
Hartlaub, Felix. Bruegels Affe. Ein Fragment aus dem Nachlaß. Merkur, Merkur, 11, no. 117 (1957): 1040 - 1057.
Dreyer, Peter. Bruegels Alchimist von 1558. Versuch einer Deutung ad sensum mysticum. Jahrbuch der Berliner Museen, Jahrbuch der Berliner Museen, 19 (1977): 69 - 113.
Rossiter, A.P. Bruegel's Ambivalences: A Preliminary Survey. Cambridge Journal, Cambridge Journal, 2 (1948): 131 - 147.
Reznicek, E.K.J. Bruegels Bedeutung für das 17. Jahrhundert. In Pieter Bruegel und seine Welt, 159 - 164. Pieter Bruegel und seine Welt, 1979.
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700, 790 - 831. Imago Exegetica: Visual Images as Exegetical Instruments, 1400–1700. 2014. Reprint, Leiden/Boston: Brill, 2014. http://dx.doi.org/10.1163/9789004262010_027.
Silver, Larry. Bruegel's Biblical Kings. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 791-831. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Bril, 2014.
Pierce, James Smith. Bruegel's 'Census at Bethlehem'. New Lugano Review, New Lugano Review, 10 (1976): 48 - 52.
Onafuwa, Yemi. Bruegel's Cripples and Early Modern Humor. Athanor, Athanor, 25 (2007): 49 - 57.
Oberhuber, Konrad. Bruegel's Early Landscape Drawings. Master Drawings, Master Drawings, 19, no. 2 (1981): 146 - 156.
Clements, R.J. Bruegel's Fall of Icarus: Eighteen Modern Literary Readings. Studies in Iconography, Studies in Iconography, 7-8 (1981): 253 - 268.
de Vries, Lyckle. Bruegel's Fall of Icarus: Ovid or Solomon?. Simiolus, Simiolus, 30, no. 1-2 (2003): 4 - 18.
Alpers, Svetlana. Bruegel's Festive Peasants. Simiolus: Netherlands Quarterly for the History of Art, Simiolus: Netherlands Quarterly for the History of Art, 6, no. 3 (1972): 163 - 176.
Stridbeck, Carl Gustaf. Bruegels Fidesdarstellung. Konsthistorisk Tidskrift, Konsthistorisk Tidskrift, 23, no. 1-4 (1954): 1 - 11.

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