Bibliography

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Mori, Y. The Iconography of Pieter Bruegel's 'Temperentia'. Journal of the Japan Art History Society, Journal of the Japan Art History Society, 20, no. 65-86 & 105-116 (1971).
Morra, Joanne. Utopia Lost: Allegory Ruins and Pieter Bruegel's Towers of Babel. Art History, Art History, 30, no. 2 (2007): 198 - 216.
Morris, Amy. Book Review: Rubens and Brueghel: A Working Friendship. Renaissance Quarterly, Renaissance Quarterly, 60, no. 2 (2007): 598 - 599.
Morris, Johnny. The Tower of Babel, Pieter Brueghel. 1979. Reprint, London: Dobson Books Limited, 1979.
Morris, Susan, Christina Currie, Klaus Ertz, and Richard Green. P. Brueghel: The Peasant lawyer. 2014. Reprint, London: Richard Green, 2014.
Moskowitz, Ira. Great Drawings of All Time. 4 vol. 1962. Reprint, New York: Shorewood, 1962.
Mössinger, Ingrid, and Jürgen Müller. Pieter Bruegel d. Ä. und das Theater der Welt. Exhibition catalogue Chemnitz: Kunstsammlungen Chemnitz. 2014. Reprint, Berlin: Deutscher Kunstverlag, 2014.
Mössner, Wolfgang. Studien zur Farbe bei Pieter Brueghel d.Ä.. 1975. Reprint, Universität, Würzburg, 1975.
Moxey, Keith PF. Pieter Bruegel and The Feast of Fools. The Art Bulletin, The Art Bulletin, 64, no. 4 (1982): 640 - 646.
Moxey, Keith. Pieter Bruegel and Popular Culture. In Prints of Pieter Bruegel, Freedberg, 42 - 52. Prints of Pieter Bruegel, No Date.
Moxey, Keith. Pieter Bruegel and Popular Culture. In The Prints of Pieter Bruegel the Elder, Exhibition Catalogue Tokyo: Bridgestone Museum of Art, 42 - 52. The Prints of Pieter Bruegel the Elder. 1989. Reprint, Tokyo: Tokyo Shimbun, 1989.
Moxey, Keith PF. Visual Time: The Image in History. 2013. Reprint, Durham: Duke University Press, 2013.
Moxey, Keith PF. The Fates and Pieter Bruegel's 'Triumph of Death'. Oud Holland, Oud Holland, 87 (1973): 49 - 51.
Müllenmeister, Kurt J. Meer und Land im Licht des 17. Jahrhunderts. 2 vol. 1978. Reprint, Bremen: C. Schünemann, 1978.
Müllenmeister, Kurt J. Diana als Jagdgöttin. Weltkunst, Weltkunst, 53, no. 4 (1983): 394 - 96.
Muller, Jeffrey M. Rubens: The Artist as Collector. 1989. Reprint, Princeton, N.J.: Princeton University Press, 1989.
Müller, Jürgen. Das Paradox als Bildform: Studien zur Ikonologie Pieter Bruegels d.Ä.. Habilitationsschrift, Hamberg. 1997. Reprint, München: W. Fink, 1997.
Muller, Jeffrey. Private Collections in the Spanish Netherlands: Ownership and Display of Paintings in Domestic Interiors. In The Age of Rubens, Exhibition Catalogue Boston: Museum of Fine Arts Boston & Toledo (Ohio): Toledo Museum of Art, 195 - 206. The Age of Rubens. 1993. Reprint, New York: Harry N. Abrams , 1993.
Müller, Jürgen. "Abandonnez toutes les formes d'images" Remarques sur l'iconographie chrétienne de Pieter Bruegel l'Ancien. In De la puissance de l'image: les artistes du Nord face à la Réforme, 167 - 211. De la puissance de l'image: les artistes du Nord face à la Réforme. 2002. Reprint, Paris: Louvre, 2002.
Jürgen Müller. Of Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 737-90. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Brill, 2014.
Muller, Jeffery M. Measures of Authenticity: The Detection of Copies in the Early Literature on Connoisseurship. In Retaining the Original. Multiple Originals, Copies, and Reproductions. Studies in the History of Art, 20:141 - 149. Retaining the Original. Multiple Originals, Copies, and Reproductions. Studies in the History of Art, 1989.

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