Bibliography
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. “The Iconography of Pieter Bruegel's 'Temperentia'”. Journal of the Japan Art History Society, Journal of the Japan Art History Society, 20, no. 65-86 & 105-116 (1971).
. “Utopia Lost: Allegory Ruins and Pieter Bruegel's Towers of Babel”. Art History, Art History, 30, no. 2 (2007): 198 - 216.
. “Book Review: Rubens and Brueghel: A Working Friendship”. Renaissance Quarterly, Renaissance Quarterly, 60, no. 2 (2007): 598 - 599.
. The Tower of Babel, Pieter Brueghel. 1979. Reprint, London: Dobson Books Limited, 1979.
. P. Brueghel: The Peasant lawyer. 2014. Reprint, London: Richard Green, 2014.
. Floralia: florilegio dalle collezione fiorentine del Sei-Settecento. 1988. Reprint, Florence: Palazzo Pitti, 1988.
. “Mit Pieter Brueghel in die Fastenzeit. Ein neuentdeckter Kupferstich bestätigt die rein christliche Ausrichtung seines Gemäldes vom "Kampf zwischen Fastnacht und Fastenzeit" im Wiener Kunsthistorischen Museum”. Euphorion, Euphorion, 87, no. 2-3 (1993): 269 - 286.
. Great Drawings of All Time. 4 vol. 1962. Reprint, New York: Shorewood, 1962.
. Pieter Bruegel d. Ä. und das Theater der Welt. Exhibition catalogue Chemnitz: Kunstsammlungen Chemnitz. 2014. Reprint, Berlin: Deutscher Kunstverlag, 2014.
. “Studien zur Farbe bei Pieter Brueghel d.Ä.”. 1975. Reprint, Universität, Würzburg, 1975.
. “Pieter Bruegel and The Feast of Fools”. The Art Bulletin, The Art Bulletin, 64, no. 4 (1982): 640 - 646.
. “Pieter Bruegel and Popular Culture”. In Prints of Pieter Bruegel, Freedberg, 42 - 52. Prints of Pieter Bruegel, No Date.
. “Pieter Bruegel and Popular Culture”. In The Prints of Pieter Bruegel the Elder, Exhibition Catalogue Tokyo: Bridgestone Museum of Art, 42 - 52. The Prints of Pieter Bruegel the Elder. 1989. Reprint, Tokyo: Tokyo Shimbun, 1989.
. Visual Time: The Image in History. 2013. Reprint, Durham: Duke University Press, 2013.
. “The Fates and Pieter Bruegel's 'Triumph of Death'”. Oud Holland, Oud Holland, 87 (1973): 49 - 51.
. “Book Review: Todd Richardson, Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands”. Renaissance Quarterly, Renaissance Quarterly, 65, no. 3 (2012): 902 - 904.
. Meer und Land im Licht des 17. Jahrhunderts. 2 vol. 1978. Reprint, Bremen: C. Schünemann, 1978.
. “Diana als Jagdgöttin”. Weltkunst, Weltkunst, 53, no. 4 (1983): 394 - 96.
. Roelant Savery. Kortrijk 1576-Utrecht 1639. Die Gemälde mit kritischem Oeuvrekatalog. 1988. Reprint, Freren: Luca Verlag, 1988.
. Rubens: The Artist as Collector. 1989. Reprint, Princeton, N.J.: Princeton University Press, 1989.
. Das Paradox als Bildform: Studien zur Ikonologie Pieter Bruegels d.Ä.. Habilitationsschrift, Hamberg. 1997. Reprint, München: W. Fink, 1997.
. “Private Collections in the Spanish Netherlands: Ownership and Display of Paintings in Domestic Interiors”. In The Age of Rubens, Exhibition Catalogue Boston: Museum of Fine Arts Boston & Toledo (Ohio): Toledo Museum of Art, 195 - 206. The Age of Rubens. 1993. Reprint, New York: Harry N. Abrams , 1993.
. “"Abandonnez toutes les formes d'images" Remarques sur l'iconographie chrétienne de Pieter Bruegel l'Ancien”. In De la puissance de l'image: les artistes du Nord face à la Réforme, 167 - 211. De la puissance de l'image: les artistes du Nord face à la Réforme. 2002. Reprint, Paris: Louvre, 2002.
. “Of Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion”. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 737-90. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Brill, 2014.
. “Measures of Authenticity: The Detection of Copies in the Early Literature on Connoisseurship”. In Retaining the Original. Multiple Originals, Copies, and Reproductions. Studies in the History of Art, 20:141 - 149. Retaining the Original. Multiple Originals, Copies, and Reproductions. Studies in the History of Art, 1989.
