Bibliography

Found 1633 results
1993
Verougstraete, Helen. The Triumph of Death by Pieter Bruegel the Elder and Pieter Bruegel the Younger: «intelligitur plus semper quam pingitur». In Dessin sous-jacent et pratiques d'atelier, 213 - 240. Dessin sous-jacent et pratiques d'atelier. 1993. Reprint, Louvain: Université catholique de Louvain, 1993.
Corcoran, James IW. The Triumph of Death by Pieter Brueghel the Younger. Exhibition Catalogue Antwerp: Museum Mayer-van den Bergh. 1993. Reprint, Antwerp: Museum Mayer-van den Bergh, 1993.
Allart, Dominique. Un regard nouveau sur la peinture de Bruegel. Bulletin: Académie Royale de Belgique, Classe des Beaux-Arts, Bulletin: Académie Royale de Belgique, Classe des Beaux-Arts, 1-6, no. Journal Article (1993): 187 - 195.
Meadow, Mark. Volkscultuur of humanistencultuur? Spreekwoordenverzamelingen in de zestiende-eeuwse Nederlanden. Volkskundig Bulletin, Volkskundig Bulletin, 19, no. 2 (1993): 208 - 240.
Pinson, Yona. The Water Mill in Brueghel's Witch of Malleghem (1559), or Incurable Folly. Source: Notes in the History of Art, Source: Notes in the History of Art, 12, no. 4 (1993): 30 - 33.
1992
Gibson, Walter S. Bosch's Dreams: A Response to the Art of Bosch in the Sixteenth Century. The Art Bulletin, The Art Bulletin, 74, no. 2 (1992): 205 - 217.
Sullivan, Margaret A. Bruegel's "Misanthrope": Renaissance Art for a Humanist Audience. Artibus et Historiae, Artibus et Historiae, 13, no. 26 (1992): 143 - 162.
Stoichita, Victor I. "Cabinets d'amateur" et scénario iconoclaste. Actes du XXVIIe Congrès International d' Histoire de l' Art, Actes du XXVIIe Congrès International d' Histoire de l' Art, 4 (1992): 171 - 192.
Schütz, Karl. Das Galeriebild als Spiegel des Antwerpener Sammlertums. In Von Bruegel bis Rubens, Exhibition catalogue Cologne: Wallraf-Richartz Museum & Antwerp: Koninklijk Museum & Vienna: Kunsthistorisches Museum, 161 - 170. Von Bruegel bis Rubens. 1992. Reprint, Cologne: Locher, 1992.
Padrón, Matías Díaz, and Mercedes Royo-Villanova. David Teniers, Jan Brueghel, y los Gabinetes de Pinturas. Exhibition catalogue Madrid: Museo del Prado. 1992. Reprint, Madrid: Museo del Prado, 1992.
Bergvelt, Ellinoor, Renée Kistemaker, and Hinke Wiggers. De Wereld binnen handbereik: Nederlandse kunst- en rariteitenverzamelingen, 1585-1735. Exhibition catalogue Amsterdam: Amsterdam Historisch Museum. 1992. Reprint, Amsterdam: Amsterdams Historisch Museum, 1992.
Brown, Jonathan. Der spanische Hof und die flämische Malerei. In Von Bruegel bis Rubens, Exhibition catalogue Cologne: Wallraf-Richartz-Museum & Antwerp: Koninklijk Museum voor Schone Kunsten & Vienna: Kunsthistorisches Museum, 93 - 101. Von Bruegel bis Rubens. 1992. Reprint, Cologne: Locher, 1992.
Sutton, Peter C. Dutch and Flemish Seventeenth-Century Paintings: The Harold Samuel Collection. 1992. Reprint, Cambridge: Cambridge University Press, 1992.
Engellau-Gullander, C. Jan II van Coninxloo. A Brussels Master of the First Half of the 16th Century. Doctoral Dissertation. 1992. Reprint, University of Stockholm, 1992.
Alexander, Jonathan. JG. Medieval Illuminators and Their Methods of Work. 1992. Reprint, New Haven and London: Yale University Press, 1992.
White, Christopher, Catherine Whistler, and Colin Harrison. Old Master Drawings from the Ashmolean Museum, Oxford. Exhibition catalogue Rome: Palazzo Ruspoli/Fondazione Memmo. 1992. Reprint, Oxford: Ashmolean Museum, 1992.
Russell, Margarita. Paintings of Coastal Scenes by Hans and Cornelis Liefrinck of Leiden. Burlington Magazine, Burlington Magazine, 134, no. 1068 (1992): 175 - 179.
Mai, Ekkhard. Pictura in der `constkamer'--Antwerpener Malerei im Spiegel von Bild und Theorie. In Von Bruegel bis Rubens, Exhibition catalogue Cologne: Wallraf-Richartz Museum & Antwerp: Koninklijk Museum & Vienna: Kunsthistorisches Museum, 39 - 54. Von Bruegel bis Rubens. 1992. Reprint, Cologne: Locher, 1992.

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