Bibliography

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Popham, A. E, and Thomas S Wragg. Old Master Drawings from Chatsworth: A Loan Exhibition from the Devonshire Collection. Exhibition catalogue Washington D.C.: National Gallery of Art & Ottawa: National Gallery of Canada. 1962. Reprint, Washington, D.C.: Smithsonian Institution, 1962.
Popham, A. E. Book Review: Pieter Bruegel: der Maler in seiner Zeit. The Burlington Magazine, The Burlington Magazine, 74, no. 432 (1939): 145 - 146.
Popham, A. E. Two Landscape Drawings by Pieter Bruegel the Elder. The Burlington Magazine, The Burlington Magazine, 91, no. 560 (1949): 319 - 321.
Popham, A. E. Pieter Bruegel and Abraham Ortelius. The Burlington Magazine for Connoisseurs, The Burlington Magazine for Connoisseurs, 59, no. 343 (1931): 184 - 188.
Popham, A. E. Catalogue of Drawings in the Collection of T. Fitzroy Phillipps-Fenwick. Collection Catalogue Cheltenham: Sir Thomas Fitzroy Phillipps Fenwick. 1935. Reprint, Cheltenham: Fitzroy Fenwick, 1935.
Popham, A. E. Old Master Drawings from Chatsworth. Exhibition Catalogue London: Arts Council of Great Britain. 1949. Reprint, London: Arts Council of Great Britain, 1949.
Pommier, Edouard. Un regard de Milan sur la peinture flamande: Federico Borromeo et son Musaeum. In Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siecle, 203 - 217. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siecle. 2002. Reprint, Lille: Université Charles-de-Gaulle, 2002.
Pomian, Krzysztof. Collectors and curiosities: Paris and Venice 1500-1800. 1990. Reprint, Cambridge: Polity Press, 1990.
Pochat, Götz. Erlebniszeit und bildende Kunst. In Augenblick und Zeitpunkt: Studien zur Zeitstruktur und Zeitmetaphorik in Kunst und Wissenschaften, 22 - 46. Augenblick und Zeitpunkt: Studien zur Zeitstruktur und Zeitmetaphorik in Kunst und Wissenschaften. 1984. Reprint, Darmstadt: Wissenschaftliche Buchgesellschaft, 1984.
Pluchart, Henri. Notice des dessins, cartons, pastels, miniatures et grisailles exposés. Collection Catalogue Lille (France): Musée Wicar. 1889. Reprint, Lille: A. Massart, 1889.
Plett, H. The Place and Function of Style in Renaissance Poetics. In Renaissance Eloquence: Studies In the Theory and Practice of Renaissance Rhetoric, 356 - 73. Renaissance Eloquence: Studies In the Theory and Practice of Renaissance Rhetoric. 1983. Reprint, Berkeley: University of California Press, 1983.
Pleij, Herman. Dreaming of Cockaigne. 2001. Reprint, New York: Columbia University Press, 2001.
Plard, H. Sur le 'Repas de noces' de Bruegel l'Ancien. Revue Belge de Philologie et d'Histoire, Revue Belge de Philologie et d'Histoire, 36 (1958): 467 - 475.
Pinson, Yona. The Water Mill in Brueghel's Witch of Malleghem (1559), or Incurable Folly. Source: Notes in the History of Art, Source: Notes in the History of Art, 12, no. 4 (1993): 30 - 33.
Pinson, Yona. Bruegel's 1564 'Adoration': Hidden Meanings of Evil in the Figure of the Old King. Artibus et Historiae, Artibus et Historiae, 30 (1994): 109 - 127.
Pinson, Yona. The Interrupted Banquet in Bruegel’s Triumph of Death c.1562-1564. The Profane Arts of the Middle Ages, The Profane Arts of the Middle Ages, 6, no. 2 (1997): 302 - 315.
Pijl, Luuk. An Early 'Nativity' by Jan Brueghel the Elder. The Burlington Magazine, The Burlington Magazine, 150, no. 1259 (2008): 100 - 101. http://www.jstor.org/stable/20072958.
Pijl, Luuk. Figure and Landscape: Paul Bril's Collaboration with Hans Rottenhammer and other Figure Painters. In Fiamminghi a Roma 1508-1608: Proceedings of the Symposium Held at Museum Catherijneconvent, 79 - 91. Fiamminghi a Roma 1508-1608: Proceedings of the Symposium Held at Museum Catherijneconvent. 1999. Reprint, Florence: Centro Di, 1999.
Pijl, Luuk. Jan Brueghel the Elder in Italy: Some New Attributions. In 'Aux Quatre Vents': A Festschrift for Bert W. Meijer, 275 - 278. 'Aux Quatre Vents': A Festschrift for Bert W. Meijer. 2002. Reprint, Florence: Centro Di, 2002.

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