Bibliography

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Roh, Franz. Pieter Bruegel d. Ä.: Die niederländischen Sprichwörter. 1960. Reprint, Stuttgart: P. Reclam Jun., 1960.
Roelofsz, Charles. 'Orpheus en de dieren' van Jacob Savery. Tableau, Tableau, 2, no. 6 (1980): 312 - 316.
Robinson, William W, and Martin Royalton-Kisch. Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection. Exhibition catalogue London: British Museum & Paris: Institut Néerlandais & Cambridge: Fogg Art Museum. 2002. Reprint, New Haven: Yale University Press, 2002.
Robinson, John Charles Si. Descriptive Catalogue of Drawings by the Old Masters: Forming the Collection of John Malcolm of Poltalloch. 1876. Reprint, London: Priv. Print. at the Chiswick Press, by Whittingham and Wilkins, 1876.
Roberts-Jones, Philippe. Les Brueghel, l'homme et la nature. L'oeil: revue d'art mensuelle, L'oeil: revue d'art mensuelle, no. 303 (1980): 74 - 81.
Roberts-Jones, Philippe, and Françoise Roberts-Jones. Pierre Bruegel l'Ancien. 2011. Reprint, Paris: Flammarion, 2011.
Roberts-Jones, Philippe, and Françoise Roberts-Jones. Pieter Bruegel. 2002. Reprint, New York: Harry N. Abrams, 2002.
Roberts-Jones, Philippe. Bruegel: La Chute D'icare. 1974. Reprint, Freiburg, 1974.
Roberts-Jones, Philippe and Franç. Pierre Bruegel L'ancien. 1997. Reprint, Paris: Flammarion, 1997.
Robert-Jones, Philippe. Pierre Bruegel l'Ancien. Le Dénombrement de Bethléem. Peinture vivante, Peinture vivante, 7, no. 2 (1969).
Robert-Jones, Philippe. Le siècle de Bruegel: la peinture en Belgique au XVIe siècle. Exhibition Catalogue Brussels: Musées Royaux des Beaux-Arts de Belgique. 1963. Reprint, Brussels: Musées Royaux des Beaux-Arts de Belgique, 1963.
Robels, Hella. Frans Snyders: Stilleben- und Tiermaler, 1579-1657. 1989. Reprint, Munich: Deutscher Kunstverlag, 1989.
Rikken, Marrigje, and Paul J Smith. Jan Brueghel's Allegory of Air (1621) From a Natural Historical Perspective. In Art and Science in the Early Modern Netherlands, 61:87 - 115. Art and Science in the Early Modern Netherlands. 2011. Reprint, Zwolle : WBooks, 2011.
Marrigje Rikken. Exotic Animal Painting by Jan Brueghel the Elder and Roelant Savery. In Zoology in Early Modern Culture, Intersections of Science, Theology, Philology, and Political and Religious Education, 401-33. Zoology in Early Modern Culture. Leiden, 2014.
Riggs, Timothy A. Bruegel and His Publisher. In Pieter Bruegel und seine Welt, 165 - 173. Pieter Bruegel und seine Welt. 1979. Reprint, Berlin: Mann, 1979.
Riggs, Timothy. Hieronymus Cock: Printmaker and Publisher. 1977. Reprint, New York: Garland, 1977.
Richardson, Todd M. Landscaping the Soul: Pieter Bruegel’s “Conversion of St. Paul". In Le paysage sacré: le paysage comme exégèse dans l’Europe de la première modernité/ Sacred landscape: landscape as egesis in early modern Europe, 51 - 65. Le paysage sacré: le paysage comme exégèse dans l’Europe de la première modernité/ Sacred landscape: landscape as egesis in early modern Europe. 2011. Reprint, Florence: Olschiki, 2011.
Richardson, Todd. To See Yourself Within It: Pieter Bruegel the Elder's Festival of Fools. In Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe, 277 - 305. Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe. 2007. Reprint, Turnhout: Brepols, 2007.
Ribouillault, Denis. Regurgitating Nature: On a Celebrated Anecdote by Karel van Mander about Pieter Bruegel the Elder. JHNA: Journal of the Historians of Netherlandish Art, JHNA: Journal of the Historians of Netherlandish Art, 8, no. 1 (2016).
Reznicek, E.K.J. Bruegels Bedeutung für das 17. Jahrhundert. In Pieter Bruegel und seine Welt, 159 - 164. Pieter Bruegel und seine Welt, 1979.
Renger, Konrad. 'Die Enthaltsamkeit des Scipio': Überlegungen zur Staffage bei Jan Brueghel d.A.. Niederdeutsche Beiträge zur Kunstgeschichte, Niederdeutsche Beiträge zur Kunstgeschichte, 38, no. Journal Article (1999): 131 - 139.
Renger, Konrad. Bettler und Bauern bei Pieter Bruegel d.Ä. Sitzungsberichte der Kunstgeschichtlichen Gesellschaft zu Berlin, Sitzungsberichte der Kunstgeschichtlichen Gesellschaft zu Berlin, 20 (1971): 3 - 20.

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