Bibliography

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Diana und Actaeon: Der verbotene Blick auf die Nacktheit. Exhibition catalogue Düsseldorf: Museum Kunst Palast. 2008. Reprint, Düsseldorf: Museum Kunst Palast, 2008.
Wirth, Zdenek. Prague in Pictures of Five Centuries. 1954. Reprint, Prague: Artia, 1954.
Winner, Matthias. Zeichnungen des älteren Jan Brueghel. Jahrbuch der Berliner Museen, Jahrbuch der Berliner Museen, 3 (1961): 190 - 241.
Winner, Matthias. Vedute in Flemish Landscape Drawings of the 16th Century. In Netherlandish Mannerism Nationalmusei Skriftserie, 4:85 - 96. Netherlandish Mannerism Nationalmusei Skriftserie. 1985. Reprint, Stockholm: Nationalmuseum, 1985.
Winner, Matthias. Zu Bruegels "Alchmist". In Pieter Bruegel und seine Welt, 193 - 202. Pieter Bruegel und seine Welt. 1979. Reprint, Berlin: Mann, 1979.
Winner, Matthias. Neubestimmtes und Unbestimmtes im zeichnerischen Werk von Jan Brueghel der Ältere. Jahrbuch der Berliner Museen, Jahrbuch der Berliner Museen, 14 (1972): 122 - 160.
Winner, Matthias. Gemälte Kunsttheorie.Zu Gustave Courbets 'Allégorie réelle' und der Tradition. Jahrbuch der Berliner Museen, Jahrbuch der Berliner Museen, 4 (1962): 150 - 185.
Winkler, F. Die Wiener Kreuztragung. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek. Vol. 9. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek. 1958. Reprint, Brill Academic Publisher, 1958.
Winkler, Friedrich. Flämische Zeichnungen. 1948. Reprint, Berlin: Mann, 1948.
Winkelmann-Rhein, Gertraude. Blumen-Brueghel. 1968. Reprint, Cologne: Dumont, 1968.
Wied, Alexander. Bruegel: Il Carnevale e la Quaresima. 1996. Reprint, Milan: Electra, 1996.
Wied, Alexander. Bruegel. 1980. Reprint, London: Studio Vista, 1980.
White, Christopher. The Rabbit Hunters' by Pieter Bruegel the Elder. In Pieter Bruegel und seine Welt, 187 - 191. Pieter Bruegel und seine Welt. 1979. Reprint, Berlin: Mann , 1979.
White, Christopher. The Later Flemish Paintings in the Collection of Her Majesty the Queen. Collection Catalogue London: Royal Collection. 2007. Reprint, London: Royal Collection Publications, 2007.
White, Lynn Townsend. The Iconography of Temperantia and the Virtuousness of Technology. In Action and Conviction in Early Modern Europe. Essays in Memory of E. H. Harbison. Action and Conviction in Early Modern Europe. Essays in Memory of E. H. Harbison. 1969. Reprint, Princeton: Princeton University Press, 1969.
White, Christopher, Catherine Whistler, and Colin Harrison. Old Master Drawings from the Ashmolean Museum, Oxford. Exhibition catalogue Rome: Palazzo Ruspoli/Fondazione Memmo. 1992. Reprint, Oxford: Ashmolean Museum, 1992.
White, Christopher. Pieter Bruegel the Elder: Two New Drawings. The Burlington Magazine, The Burlington Magazine, 101, no. 678/679 (1959): 336 - 341.
White, John. Raphael and Bruegel: Two Aspects of the Relationship between Form and Content. The Burlington Magazine, The Burlington Magazine, 103, no. 699 (1961): 230 - 235.
White, Christopher. Pieter Bruegel the Elder: A New Alpine Landscape Drawing. The Burlington Magazine, The Burlington Magazine, 105, no. 729 (1963): 560 - 563.
White, John ECT. Pieter Bruegel and the Fall of the Art Historian. Charlton Lecture on Art, Charlton Lecture on Art, 56 (1980).
Weyns, Jozef. Die Scheunin in den Bildern Pieter Bruegel des Älteren. Nordelbingen, Nordelbingen, 40 (1971): 170 - 173.

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