Bibliography

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Found 232 results
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A
Altena, Johan Quirijn va. “Pieter of Jan Breughel?”. Oudheidkundig Jaarboek, Oudheidkundig Jaarboek, 4, no. 1 (1932).
Anzelewsky, Fedja. Pieter Bruegel der Ältere als Zeichner. Herkunft und Nachfolge.. Exhibition Catalogue Berlin: Kupferstichkabinett . 1975. Reprint, Berlin: Hartmann, 1975.
Arndt, Karl. “Pieter Bruegel der Ältere als Vorlaufer Coninxloos, Bemerkungen zur Geschichte der Waldlandschaft”. Kunstgeschichtliche Gesellschaft zu Berlin, Sitzungsberichte, Kunstgeschichtliche Gesellschaft zu Berlin, Sitzungsberichte, 14 (1965): 9 - 11.
Arndt, Karl. “Pieter Bruegel der Ältere und die Geschichte der "Waldlandschaft"”. Jahrbuch der Berliner Museen, Jahrbuch der Berliner Museen, 14 (1972): 69 - 121.
Auner, Michael. “Pieter Bruegel; Umrisse eines Lebensbildes”. Jahrbuch der Kunsthistorischen Sammlungen in Wien, Jahrbuch der Kunsthistorischen Sammlungen in Wien, 52 (1956): 51 - 122.
B
Bacher, Britta Juska. “Pieter Bruegels Niederländische Sprichwörter als Ausgangspunkt einer kontrastiven phraseologischen Studie”. Frazeologija v jezikoslovju in drugih vedah, Frazeologija v jezikoslovju in drugih vedah, 2007, 475 - 488.
Bakker, Boudewijn, and Michael Hoyle. “Pictores, Adeste! Hieronymus Cock Recommending His Print Series”. Simiolus: Netherlands Quarterly for the History of Art, Simiolus: Netherlands Quarterly for the History of Art, 33, no. 1/2 (2007): 53 - 66. http://www.jstor.org/stable/20355350.
Baldwin, Robert. “Peasant Imagery and Bruegel's 'Fall of Icarus'”. Konsthistorisk Tidskrift, Konsthistorisk Tidskrift, 55, no. 3 (1986): 101 - 114.
Bangs, Jeremy D. “Pieter Bruegel and History”. The Art Bulletin, The Art Bulletin, 60, no. 4 (1978): 704 - 705.
Barnes, Donna R, and Linda A Stone-Ferrier. People at Work: Seventeenth Century Dutch Art. Exhibition catalogue Hempstead: Hofstra Museum. 1988. Reprint, Hempstead: Hofstra Museum, 1988.
Bax, Dirck. “Pieter Bruegel. De jongen met het vogelnest”. Historia, Historia, 14 (1949): 55 - 57.
Bayard, Marc. “Prints and the "Commedia dell'Arte"”. Print Quarterly, Print Quarterly, 24, no. 2 (2007): 176 - 177. http://www.jstor.org/stable/41811989.
Block, Elaine C. “Physical and Social Inversions in the Topsy-Turvy World”. The Profane Arts of the Middle Ages, The Profane Arts of the Middle Ages, 7, no. 1 (1998): 8 - 28.
Bodart, Didier, and Giuseppe Pilo. Pietro Paolo Rubens (1577-1640). Exhibition Catalogue Milan: Società per le belle arti ed esposizione permanente. 1990. Reprint, Milano: De Luca, 1990.
Bodkin, Thomas. “'The Peasant Wedding', by Pieter Brueghel the Younger”. The Burlington Magazine for Connoisseurs, The Burlington Magazine for Connoisseurs, 56, no. 323 (1930): 99 - 105.
Bomford, Kate. “Peter Paul Rubens and the Value of Friendship”. In Virtuoso, Virtuosity in Netherlandish Art 1500-1700. Virtuoso, Virtuosity in Netherlandish Art 1500-1700. 2004. Reprint, Waanders Uitgevers, 2004.
Bonebakker, Odilia. “Pieter Bruegel, Canvas, and the Reformulation of Painting”. In Sixteenth-Century Studies, Vol. St. Louis, MO. Sixteenth-Century Studies, 2008.
Bonn, Robert L. Painting Life: The Art of Pieter Bruegel, the Elder. 2007. Reprint, New York, NY: Chaucer Press Books, 2007.
Boon, Karel G. “Patientia' dans la gravure de la Réforme aux Pays-Bas”. Revue de l'Art, Revue de l'Art, 56 (1982): 7 - 24.
Brumble, III, H. David. “Peter Brueghel the Elder: The Allegory of Landscape”. The Art Quarterly (Detroit Institute of Arts), The Art Quarterly (Detroit Institute of Arts), 2 (1979): 125 - 139.
Brunard, Andrée. Pierre Bruegel et son temps. Exhibition Catalogue Brussels: Banque de Bruxelles. 1969. Reprint, Bruxelles: Banque de Bruxelles, 1969.
Burchard, Ludwig. “Pieter Bruegel, 'La mort de la Vierge'”. In Chefs: d'oeuvre inconnus des grands maîtres, W.R. Valentiner. Chefs: d'oeuvre inconnus des grands maîtres. 1930. Reprint, Paris/Brussels, 1930.

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