Barth, Catherine E. “Old Masters and Modern Intrigue: Reception of Pieter Bruegel the Elder in the Late Poetry of William Carlos Williams”. 2012. Reprint, College of William and Mary, 2012. http://hdl.handle.net/10288/16703.

Bergström, Ingvar. “Osias Beert the Elder as a Collaborator of Rubens”. The Burlington Magazine, The Burlington Magazine, 99, no. 649 (1957): 120 - 124. http://www.jstor.org/stable/872226.

C.G. Boerner LLC. Old Master Drawings. Exhibition catalogue New York: C.G. Boerner. 2002. Reprint, New York: C.G. Boerner, 2002.

Claessens, Bob, and Jeanne Rousseau. Our Bruegel. 1969. Reprint, Antwerp: Mercatorfonds, 1969.

Freedberg, David. “The Origins and Rise of the Flemish Madonnas in Flower Garlands: Decoration and Devotion”. Münchner Jahrbuch für bildenden Kunst, Münchner Jahrbuch für bildenden Kunst, 32 (1981): 115 - 150.

Gorman, Michael John, and Alexander Marr. “'Others See It Yet Otherwise': Disegno and Pictura in a Flemish Gallery Interior”. Burlington Magazine, Burlington Magazine, 149, no. Journal Article (2007): 85 - 91.

The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe. Vol. 2001. 1985. Reprint, Oxford: Claredon, 1985.

Jaffé, Michael. Old Master Drawings from Chatsworth. Exhibition Catalogue London: British Museum. 1993. Reprint, London: British Museum Press, 1993.

Jaffé, Michael. Old Master Drawings from Chatsworth: A Loan Exhibition from the Devonshire Collection. Exhibition Catalogue Cleveland: Cleveland Museum of Art & Fort Worth: Kimbell Art Museum & Los Angeles: Los Angeles County Museum of Art & Miami: Center for the Fine Arts & Pittsburgh: Frick Art Museum. 1987. Reprint, Alexandria, VA: International Exhibitions Foundation, 1987.

Johnson, Deborah J. Old Master Drawings from the Museum of Art, Rhode Island School of Design. Collection Catalogue Providence (Rhode Island): Museum of Art/Rhode Island School of Design. 1983. Reprint, Providence, RI: Museum of Art, Rhode Island School of Design, 1983.

Macandrew, Hugh. Old Master Drawings from the National Gallery of Scotland. Exhibition catalogue Washington D.C.: National Gallery of Art & Fort Worth: Kimbell Art Museum. 1990. Reprint, Washington: National Gallery of Art, 1990.

Jürgen Müller. “Of Churches, Heretics, and Other Guides of the Blind: The Fall of the Blind Leading the Blind by Pieter Bruegel the Elder and the Esthetics of Subversion”. In Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700, 737-90. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700. 2014. Reprint, Leiden: Brill, 2014.

Popham, A. E. Old Master Drawings from Chatsworth. Exhibition Catalogue London: Arts Council of Great Britain. 1949. Reprint, London: Arts Council of Great Britain, 1949.

Popham, A. E, and Thomas S Wragg. Old Master Drawings from Chatsworth: A Loan Exhibition from the Devonshire Collection. Exhibition catalogue Washington D.C.: National Gallery of Art & Ottawa: National Gallery of Canada. 1962. Reprint, Washington, D.C.: Smithsonian Institution, 1962.

Raupp, Hans-Joachim. “Ökonomische Didaktik und Satire bei Pieter Bruegel dem Älteren : Anmerkungen zu "Prudentia" und zur "Mageren und Fetten Küche"”. Wallraf-Richartz-Jahrbuch : Jahrbuch für Kunstgeschichte, Wallraf-Richartz-Jahrbuch : Jahrbuch für Kunstgeschichte, 63 (2002): 237 - 258.

Roelofsz, Charles. “'Orpheus en de dieren' van Jacob Savery”. Tableau, Tableau, 2, no. 6 (1980): 312 - 316.

Royalton-Kisch, Martin, Hugo Chapman, and Stephen Coppel. Old Master Drawings from the Malcolm Collection. Collection catalogue London: British Museum. 1996. Reprint, London: British Museum Press, 1996.

Sadkov, Vadim. Od Dürere k Davidovi: Kresby starych mistru ze sbirek státniho muzeavytarnykh umeni A.S. Puškina v Moskve. Exhibition catalogue Prague: Královsky Letohrádek. 1986. Reprint, Prague: Národni Galerie v Praze, 1986.

Sermon, H. “Over Brueghel's Nederlandsche spreekwoorden”. Verslagen en mededeelingen der Koninklijk Vlaamsche Academie voor Taal- en letterkunde, Verslagen en mededeelingen der Koninklijk Vlaamsche Academie voor Taal- en letterkunde, 1903, 91 - 128.

Shaw, James Byam. Old Master Drawings from Chatsworth: A Loan Exhibition from the Devonshire Collection. Exhibition Catalogue Washington DC: National Gallery of Art. 1969. Reprint, International Exhibitions Foundation, 1969.

Shipp, H. “The Original 'Winter Landscape with a Bird Trap' by Pieter Bruegel”. Apollo, Apollo, 59 (1954): 1.

Sotheby's. Old Master Paintings and Drawings. 1953. Reprint, London: Sotheby's, 1953.

Szmydki, Ryszard. “O podrózy Jana Brueghla Aksamitnego w 1604 roku oraz o jego zwiazkach z królewiczem polskim Wladyslawem Zygmuntem Waza. Materaly archiwalne”. Barok: Historia, Literatura, Sztuka, Barok: Historia, Literatura, Sztuka, 7, no. 1 (2000): 267 - 278.

van Deel, T. “Over Bruegel's 'De val van Icarus': Poëzie en beeldende kunst”. De Revisor, De Revisor, 1 (1982): 50 - 58.

van Hasselt, Carlos. “Old Master Drawings from the Lugt Collection”. Apollo, Apollo, 80, no. 33 (1964).